continue with our example of the
TV. We have the message (the aids), the transmitter (your independent
seat), and the receiver (your horse). The receiver has been tuned
to accept certain signals and turn them into information it can
understand and respond to (the training of your horse). To close
the loop you are the only missing item. Three small steps for you,
one giant step towards harmony with your horse. Step one is your
understanding of the aids, step two is your ability to coordinate
your aids so you can move from shouting commands to maintaining
a dialog with your horse, and step three is your skill to correctly
analyze the signals coming back to you from your horse.
Let me describe such a dialog in its chronological order. It starts
with your mind (conscious or subconscious) needing to give your
horse a message. This is translated into the language the horse
understands (the aids). Your body then applies the aids and the
horse receives them. Since he is a willing partner, he turns your
command into action. This response then is received by you through
your sense of feel.
Once more I need to point out that only if you have developed the
independent seat will you be able to feel your horse’s response
correctly. Please do not become annoyed with me about these reminders.
I only have one foul left. Besides, if your seat is already great
you can just ignore these hints, and if it is not, you need to go
to work. So as soon as you receive the information from your horse,
you analyze it and determine whether your horse responded as you
intended it to. If the response was as you wished, there is now
harmony between the two of you, and this part of your dialog is
complete. If, however, your horse has not reacted as expected, the
cycle starts all over again. Your mind (consciously or subconsciously)
formulates a correction to the horse’s mistake and sends it
to the horse in the form of aids, etc. The same would hold true
if the answer from your horse was the right one but was either too
strong or too weak. Needless to say that while the process of the
dialog follows in this order, it does happen almost simultaneously.
The more experienced the rider, the faster this transaction becomes.
This also explains why an experienced rider can sense a horse's
incorrect response, correct it before it happens, and thus prevent
a mistake.
This is the theory behind the system that we employ to communicate
with our horses. Now we must translate it into action in the saddle.
As you sit on your horse, your seat and the inside of your legs
touch the horse. You also make contact with your horse's mouth through
the reins. That gives us the six points with which we apply pressure:
your two seat bones, the insides of your calves, and the reins.
Since we are to always work from the back to the front in combining
and applying the aids, let us begin with the seat bones to explain
what they tell the horse when we use them to communicate.
Passively weighing both seat bones down means, slow down. Actively
bracing your back so that both seat bones push down and forward
means, move forward. Actively bracing and weighing one seat bone
means, activate your hind leg on that side. Weighing down on one
side means bend or turn that way.
Next let us consider the leg aids.
Unlike the seat, the legs can operate in two different positions
on the horse and mean different things to the